English text
Hoaars-Faisse Gallery presents: An exhibit of works by the artist known only as Pretzel. The exhibit includes several large conceptual works using non-traditional media and found objects including old sofa-beds, used mace canisters, discarded sanitary napkins and parts of freeways. The artist explores our dehumanization due to high technology and unresponsive governmental structures in a post-industrial world. She/he (the artist prefers to remain without gender) strives to create dialogue between viewer and creator, to aid us in our quest to experience contemporary life with its inner-city tensions, homelessness, global warming and gender and class-based stress. The works are arranged to lead us to the essence of the argument: that the alienation of the person/machine boundary has sapped the strength of our voices and must be destroyed for society to exist in a more fundamental sense.
English variant — jive
Hoaars-Faisse Gallery presents, dig dis: An 'eshibit uh wo'ks by de artist knode only as Pretzel. De 'eshibit includes several large conceptual wo'ks usin' non-tradishunal media and found objects includin' old sofa-beds, used mace kinisters, discarded sanitary napkins and parts uh freeways. De artist 'esplo'es our dehumanizashun due t'high technology and unresponsive guv'mental structures in some post-industrial wo'ld. She/he (de artist prefers to remain widout gender) strives t'create dialogue between viewa' and creato', t'aid us in our quest t''sperience contempo'ary life wid its inner-city tensions, criblessness, global warmin' and genda' and class-based stress. De wo'ks are arranged t'lead us t'de essence of de argument, dig dis: dat da damn alienashun uh de sucka'/machine boundary gots'ta sapped da damn strengd uh our voices and must be destroyed fo' society to exist in some mo'e fundamental sense. What it is, Mama!
English variant — valspeak
Hoaars-Faisse Gallery presents: An exhibit of works by thuh artist known only as Pretzel. The exhibit includes several awesum conceptual works usin' non-traditional media and found objects includin' old sofa-beds, man, used mace canisters, discarded sanitary napkins and parts of freeways. The artist explores our dehumanization due to high technology and unresponsive governmental structures in a post-industrial world. She/he (the artist prefers to remain without gender) strives to create dialogue between viewer and creator, mostly, to aid us in our quest to experience contemporary life with its inner-city tensions, like, wow, homelessness, like, wow, global warmin' and gender and class-based stress. The works are arranged to lead us to thuh essence of the argument: that thuh alienation of thuh person/machine boundary has sapped thuh strength of our voices and must be destroyed for society to exist in a more fundamental sense.